I'm a very self-conscious person; I think we all are, but I'm especially not very comfortable in my body. I always feel really weird and awkward on the street or on the stage. It has nothing to do with circumstances; it's just an ongoing psychological state, like white noise.

There’s such a magnitude of record taking. It’s so exhaustive. Bandwidth and hard drive space are able to accommodate limitless capacities to take a record of anything and everything.

I think musicians should stay off television generally. I get asked all the time. Those shows are just promoting insipid comedies. Who watches those shows? And whoever does I don’t think my music would speak to those people. I don’t even want those people to hear what I’m doing.

The goal is to never stay the same. I always want to be changing and evolving. That’s the whole point of life and the whole point of making art is to be constantly moving.

I’m always hearing music in terms of what I can take out of it, and I think I’ve always listened like that. I have a hard time just listening for pleasure. I’m much less about instinct, and more of a utilitarian listener.

The round-up is an aggressive tradition. I’m trying to objectively be a steward of the tradition and what it means in its choreography.

The music is the imperative. It has the upper hand. I think all music, even though it’s an abstraction, does motivate a particular meaning. Then it’s the job of the musician to honor that meaning and to somehow implement lyrical material that can accommodate that emotional environment.

It’s traumatic to meditate on the availability of information through the Internet, or the way we perceive the world as a result. People don’t experience things totally or viscerally anymore. It’s all through representation, be it a record on YouTube or a post on a blog.

A musician’s attempt to summarize his or her work leads to all this prescriptive chatter, or what I call the ‘Modifier’s Madness.’ A lot of adjectives working overtime.

It’s a mystical quality of music, that music isn’t really concrete, and it’s communicating abstractions about imaginary worlds. At least, my music’s like that. It’s not real. It’s unreal, it’s all fabrication. To write a song about Obama would suddenly break the spell.